Tag Archives: Netflix

5 Observations About Netflix UK

20 Oct

I’ve been signed up to Netflix UK for a little over a year. On the whole, I’d say it’s pretty good value for money. I have eclectic tastes, so there’s always something I’ll want to watch, and its abundance of sitcoms and US shows gives me something to do on my lunch breaks. After a while, however, you do start to notice some funny little quirks the site has. Such as…

1) It’s not as good as Netflix US

Don’t ask me how (it wasn’t entirely legit) but I recently had the opportunity to compare UK and US Netflix, and OH MY WORD. While Netflix UK has plenty of TV series and some good (if not particularly recent) films, US Netflix is like a different site altogether. “They have this?” you’ll say. “Already? And this?” We were able to watch films I had seen in the cinema only a month or so earlier. And there are so many movies. And it has a “Classic Movies” section, because it has so many movies that a whole section’s worth of them count as “classic”.

2) But that doesn’t mean it’s rubbish

Peter Finch in Network

Peter Finch in Network

One complaint I hear all the time (not least of all from my partner) is that there’s never anything to watch on Netflix UK. To which I say, tish, piddle and nonsense. Taking a cursory glance at the “browse” homepage, I can see The Hunger Games: Catching Fire, Breaking Bad, Pixar’s Brave, Annie Hall, The Fisher King, Blue is the Warmest Colour, The Secret in Their Eyes, The Shawshank Redemption, 9 to 5, Skyfall, Black Mirror, Pulp Fiction, the documentary McCullin, Network, and Downfall, all of which are excellent.

3) Hooligan movies are a cottage industry

Jesus… There are a lot of “hooligan” films out there. Whole sections of Netflix UK are awash with close-ups of snarling men with shaved heads superimposed over a red cross, invariably with titles like Rise of the Essex Lads III: Retribution. Still… I suppose it gives Craig Fairbrass something to do.

4) So that’s what Val Kilmer’s doing these days

As well as having ballooned, like some deep sea fish threatened by a predator, to about three times his normal size, Val Kilmer has been largely absent from the big screen for some time. The last mainstream movie release I can remember him appearing in was Werner Herzog’s not-quite-as-terrible-as-it-should-have-been Bad Lieutenant sequel/spin-off/remake/whatever, Bad Lieutenant: Port of New Orleans. Other than that, well… I’ll let Netflix UK do the talking:

The most recent film on there I’d recommend (Wonderland) was made in 2003. Twixt is the latest offering from the truly tragic Francis Ford Coppola (I’ve watched 5 minutes of it, and it’s terrible), while The Traveler (2010 – 20% on Rotten Tomatoes) looks as if it was shot on a mobile phone. In 2002.

Great actors make occasionally shitty films, and sometimes their careers dry up. We all know that. But if any actor’s career demonstrates that there’s no harm in being easy to work with, it’s Kilmer’s.

5) You should never, EVER watch InAPPropriate Comedy

Following in the less-than-hallowed footsteps of Movie 43InAPPropriate Comedy is made up of comedy sketches, was written and directed by someone called Vince Offer and stars Adrien Brody, Rob Schneider, Michelle Rodriguez and (but of course) Lindsay Lohan. Quite how Offer managed to convince them (well… all of them except Lohan) to appear in this is beyond me. To give you a taste of just how terrible this film is, Brody plays Flirty Harry, who’s a bit like Clint Eastwood’s Dirty Harry, except the joke… get this… is that he’s gay and he flirts with people. And his catchphrase… brace yourselves… hold on to your sides… is, “Go ahead… Make me gay.”

Because Dirty Harry says “Make my day”, see? And “day” rhymes with “gay”.

"Go ahead, punk. Laugh at my career choices."

“Go ahead, punk. Laugh at my career choices.”

Having endured about 10 minutes of this shit before wanting to punch a hole through my laptop, board a flight to LAX, get in a cab, go to Adrien Brody’s house and kick him in the bollocks, then get back in the cab, go back to LAX and fly home, I can only assume that Vince Offer is a billionaire or a crime lord. Either Academy Award® winner Adrien Brody was paid a lot of money to appear in this film, or Offer kidnapped a close member of his family and wouldn’t let them go till Brody rocked up on set. Seeing as this is the actor who once dumped a girlfriend to get into character for The Pianist, I’ll assume it’s the former.

But despite my glowing recommendation, do not watch this film. Not even “ironically”. You can’t watch a terrible comedy “ironically”. If you want to laugh at a bad movie, check out Oliver “Downfall” Hirschbiegel’s Diana, which is also on Netflix UK, and which is fucking hilarious.

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